Author: beingdesh

  • किस्सा कचोरी का…

    रविवार का था वह एक आम सा दिन,
    दूरदर्शन पर चल रहा था चंद्रकांता, कैसे रहते लोग कड़क सी चाय के बिन.
    चाय के साथ था कुछ खस्ता, रस्क, और नमकीन,
    पर जब घर आई कचोरी और जलेबी, तब खिस्की ज़बान तले ज़मीन.

    समोसा, आलू बोंडा और मंगोड़े भी देते है टक्कर,
    पर कौन रह सकता है कचोरी के स्वाद से बचकर.

    कचोरी कई बार अपना रूप बदलती,
    राजस्थान मैं पूरी तो गुजरात मैं लड्डू बनती.
    रूप के संग इसका ह्रदय भी बदलता
    कभी मूंग कभी आलू कभी प्याज और कभी मटर से इसका दिल है धड़कता.

    दिल्ली मैं चाट की शोभा बढाती राजकचोरी,
    या दही सौंठ के अभिषेक से बनी दही कचोरी
    उत्तर प्रदेश मैं आलू रस्सा संग रस रचाए
    कचोरी हर रंग रूप मैं हमें है भाये.

    इंदौर मैं सराफे का वजन,
    या कोटा-जयपुर मैं इसका प्याज से लगन
    गंगा मैय्या किनारे मोहन पूरी वाला,
    कचोरिया ऐसी जुग जुग जिए बनाने वाला.

    मेरा तो है बस यही अंतिम विचार,
    कचोरी के है चार यार
    चटनी, सौंठ, दही और तलने वाले का प्यार.

    -अभिषेक ‘देसी’ देशपांडे

  • Rail-pedia

    As I was sitting with my friends on the Raipur station yesterday and waiting for our train (7 hours late) to arrive I saw a passenger train coming before our much delayed “super-fast” train. I said to my friends how come this happened and an Uncleji came from nowhere, “Yeh special passenger hai, Navratri hai na, Mata ke darshan ke liye Dongargarh jaa rahi hai, superfast ke upar preference milegi”. As those words came out from that awkward smelling ghutka infested red mouth of his I realized that there tonnes of knowledge in this country, especially when it comes to the topic of India Railways.

    It starts as a simple thing, by buying the Railway timetable (which I am sure half of these Uncleji’s memorize), but then there is other information which comes only with experience. Topics range from simple delays, food and politics and reaches a different level by touching upon deeper issues like personal hygiene, development and the pluralistic nature of our society.

    I have been through a few of these, have you?

    Consider these:

    Uncleji sitting next to you in the train and reading his newspaper, the train has halted and another train passes by, Uncleji who has multiple explanations of the event:

    “Beta time kitna hua hai..Uncleji 2 baje hai…haan to yeh Gitanjali chodd di humse, superfast hai na” or “Beta yeh signal down kia hai, dusre track par 2 baje repair chaalu hota hai na” or “Beta gaiyya kat gayi hogi, yaha crossing par har saal kat jaati hai” or “Yeh Howrah waali gaadi pehle chodd dete hai, ab beta tum hi batao, is desh main rail mantri kaha se aaye hai, bas do rajyo se Bihar ya Bangal, ab waha ki traino ko to faayda milega hi na” or “beta yaha par engine badalta hai na, abhi yard se aaya nahi hoga, to pahle hi rok di” or “beta yaha hamesha ka natak hai, yeh rok dwete hai, lekin chinta mat karo, bahut jaldi cover karegi”

    Or Uncleji’s gyaan on other tracks:

    “Beta aap kaha se ho…Uncleji Maharashtra se hu, waise kayi jagah raha hu…Maharashtra main originally kaha se ho…ji Yavatmal se lekin waha kabhi raha nahi…arre Yavatmal, waha ki gaadi to Nagpur se kat leti hai, choti line hai, to ho kaha se…ji Jabalpur se…oh Jabalpur se Nagpur fir badi dikkat hai beta, choti line hai. lekin Jabalpur main to Railway ka bada zone hai, bahut accha hua…Uncleji aap kaha se hai?…Beta bas kya bole humaari to poori zindagi kat gayi rail main safar karte karte (I can understand)”

    Or on food:

    “Chai chai chai….arre Chaiwaale, ek chai pilaao, woh dip waali to nahi hai na….nahi ji taazi bana ke laaya hu…thik hai ek de do, beta aap loge…nahi uncle…Uncleji chai peete hue, accha kia beta nhai li, 5 rs lete hai aur poora paani daalte hai, Chai to beta Nandurbaar station par Chowdhary ki milti hai, Chai ho to chowdhary ki, aur Chai ka majja to humaare jamaane main kulhad main tha, mitti ka swaad hi kuch alag hota hai” or “Beta yeh Pantry car ka khaana pahle se Quality main kaafi improve ho gaya hai, Chawal bilkul Dubraj use kar raha hai aajkal…Bhaiya nan-veg main kya hai aaj, anda curry milega…haanji milega…thik hai, Pantry main Ramesh hai? Usse bolna Sharma ji ka order hai, Anda Curry special banaye….Beta humara to humesha ka hai train se, Ramesh apne hi gaav se hai, accha ghar jaisa bana deta hai”

    Or on politics:

    “Bhaisahab kaam to Lalu ne kiya tha Railway main, kayapalat kar di, kya shaandaar system banaya hai, Bihar ko faayda karaya lekin aam aadmi ka khayal rakha hai usne” or “Yaha gaadi delay kara denge, yeh mantriji ki constituency hai na, unka aadesh hai ki har station par rukwaaya jaaye”

    Or on sanitation issues:

    “Beta yeh jo bhi bolo, chai ke bagair pressure banta hi nahi” or “Beta yeh railway ka toilet dekh kar aati nahi, pressure hi nahi banta” or “yeh Bilaspur par cleaning waale aate hai, hum to uske bhi toilet ke liye jaayenge”

    Or on life:
    “Beta aap to accha padh liye, humaari bhi iccha thi khub padhne ki, chalo hum nahi aap sahi” or the final classic one…

    “Beta yeh jeevan kya hai, railgaadi hi to hai!!!”

    Can’t agree more.

    ————————————————————————————————————————————————–

    Just a a slight deviation from the main topic but whenever I think of this I laugh a lot, one of my friend told me that the pay-and-use toilet at Khandwa station was called Bobby Tatti House, in honour of the great Raj Kapoor classic… 🙂

    ————————————————————————————————————————————————–

  • टेस्ट क्रिकेट का अंत… या शुरुआत?

    आने वाला है क्रिकेट इतिहास का एक अमर क्षण
    जब होने चलते स्वयं के टेस्ट के पूरे दो हज़ार रन,
    १८७७ मैं शुरू हुई थी जो प्रथा
    २०११ मैं क्या हो गयी है इसकी व्यथा.

    अंग्रेजो ने नीव रखी क्रिकेट के खेल की
    खेल खेल मैं उन्होंने फैलाई सभ्यता ब्रिटेन की,
    शुरू मैं था बस यह अंग्रेजो और उनके के गुलामो का टकराव,
    वो क्या जानते थे एक दिन गुलाम ही करेंगे इस खेल का ऐसा बदलाव.

    उन दिनों यह होता था खेल गौरव का, प्रतिष्ठा का
    सज्जनों का और वतन के लिए खेलने वालो का,
    पर जब से आई एक दिवसीय और टी-२० क्रिकेट की बहार,
    बदल ही गया इस खेल का व्यवहार.

    अब लोगो को पसंद है मार पीट कर खेलने वाले बल्लेबाज़
    गेंदबाजों की अस्मत पर गिरी है गाज,
    वो दिन थे जब थरथराते थे गेंदबाजों से बल्लेबाज़ हर क्षण,
    गेंदबाज़ थे की थे वो लंकापति रावण.

    वक्त बदला, तकनीक बदली, मैदान हुए हरे भरे, वेश भूषा हुई रंगीन
    दूरदर्शन ने दर्शको का अनुभव बदला, तो कम कपडे पहनी नर्तकियो ने किया मामला संगीन
    बस कुछ नहीं बदला
    तो वो है क्रिकेट-प्रेमियों के प्रेम, और महानता की परिभाषा.

    महानता के सर्वोच्च उदहारण,
    उम्मीद है लोर्ड्स पर करेंगे अंग्रेजो का हरण,
    भगवान् से मेरी है यही गुज़ारिश
    अपने अवतार के ज़रिये हमेशा करते रहे रनों की बारिश.

  • विस्फोट, तुम फिर आ गए!

    विस्फोट, तुम फिर आ गए!
    जीवन की कीमत तो तुमने समझी नहीं
    कम से कम
    भय की परिभाषा तो समझ लेते.

    मुंबई शहर में लोग हर क्षण है मरते
    ज़िन्दगी की भागदौड़ में दबते कुचलते
    इस भाग दौड़ थकान के बीच
    किसे है समय भयभीत होने का.

    भय है बढती महंगाई का, नौकरी का,
    भय है घर बार का, सब्जी तरकारी का.
    अरे विस्फोट तुमसे हम क्यों डरे
    मुंबई की बारिश की तरह हो तुम, रोज आते जाते,
    रोज की बारिश से
    किसे है समय भयभीत होने का.

    अब ये मन भयभीत नहीं
    यह बस सुन्न हो चुका है, थक चुका है
    एक प्रश्न पूछूँ तुमसे – उत्तर दोगे?
    क्या तुम नहीं थके?

    – अभिषेक देशपांडे ‘देसी’

  • MOVE OVER BIG BROTHER, BHAIYYA IS HERE…..

    [Today I came across this mail, my first group work at SP, with the bestest group I ever worked with at SP. I still recall our first meeting, a gyaani tungi, Lal in don’t care mode with his red-white tshirt, Monik shouting at the top of his voice, and Nitika sitting in a pink top cursing her kismat for being part of this ganwaar group. I have copied the entire assignment here :)]

    Daroga Babu I Love You, Panditji Batai Na Biyah Kab Hoi, Dharti Kahe Pukar Ke … The fact that people go to watch movies with names like these bears testimony to the fact that Bhojpuri movies are here to stay. They started production in the 60s and were thwarted by the more popular love stories and family dramas of Bollywood. Over the years a much more professional Bollywood started moving up the value chain by targeting Urban Audiences and NRIs. Many of the consumers were not able to make this shift thus creating a void. The main reasons were lack of affordability and the cultural gap as perceived by them. The Bhojpuri movie industry jumped at the opportunity and filled in this gap. With its cultural and entertainment value, it projected itself as the perfect substitute for Bollywood cinema. Today, the market for these movies has grown by leaps and bounds. One of the major contributing factors is the migration of labour from Bihar and UP to various states in the country. Therefore, the demand for Bhojpuri movies is almost omnipresent. Using this case we try to ANALYSE the change in demand and the substitution effect for a segment of Bhojpuri audience comprising the rural/small town audience and the migrants.

    MARGINAL UTILITY/ DEMAND CURVE:

    MU/Demand Curve

    FEATURES:

    1. BOLLYWOOD INDUSTRY:

    A) The market size increases up to the 1990s and there is a decline in 2000+.

    B) There was an increase in emphasis on the high end market as the years went by.

    C) There is a continuous increase in the minimum amount to be spent on a movie by the consumer. Thereby a void has been created by the change in price along with cultural preferences.

    2. BHOJPURI FILM INDUSTRY:

    A) The market size moderately increased upto the late 1980s and then experienced a steep decline in the 1990s.

    B) In the late 1990s and early 2000, the industry rose back in leaps and bounds, thereby successfully capturing the market uncatered or left behind by the Bollywood industry and created its own market place too.

    INDIFFERENCE CURVE ANALYSIS:

    Features

    FEATURES:

    1. IC-1 has a flatter slope implying the preference of the people for Bollywood cinema.

    2. An increase in the price of Bollywood cinema along with the change in the style of film making caused the people to change their preferences to Bhojpuri cinema. They assigned more value to Bhojpuri cinema as compared to Bollywood cinema. This caused the indifference curve (IC-2) to become steeper. This shows that the people allocated more of their income towards Bhojpuri cinema.

    Reference:

    Latika Neelkantan, “The heartland values of Bhojpuri cinema”, Himal SouthAsian, October’2006. [Online]. Available: http://www.himalmag.com/2006/october/special_report.htm [Accessed 27th June, 2008]

    Submitted by GROUP 5

  • Is it the end of the Chai-Biscuit era?

    Today I received an article from a friend of mine, Where did conversation go? No where. It talks about the “about-to-die” habit of having conversations. It also debates whether forms of new media have eclipsed the intimacy of having a one-on-one, or sharing a happy moment together.

    So is it the end of the Chai-Biscuit era? Chai represents much more than to us than a mere beverage, it is a conversation starter, our true friend during a conversation and the tastiest dip for a biscuit. From the addas which are still commonplace in Bengal, to housewives sipping that post-siesta tea, from office tea breaks to evening tea with families, chai has shaped the way Indians converse and share thoughts for a long time.

    So what happened now? When did walking to someone’s home without telling them in advance become a crime, when did talking about things personal and private online become a habit, when did the happiness of connecting with a few and bonding with them transform into the ever increasing desire to have more Facebook friends and Twitter followers, when did the keeping things to oneself become more than a one-off thing, when did our life become private in front of our parents and elders, when was the real smile overshadowed by the fake smileys, when did chatting and messaging steal the look of the face and tinkle of those eyes, and when did we start getting detached from the world, lose our sense of being together to being more individualistic?

    So is it the beginning of a new era, the Coffee-Cookie era? Coffee shops have replaced the meetups at home, 5 Rs. Parle-G has been replaced by 40 Rs. a piece Cookieman cookie, but more than that both of them represent a transition. A transition in habits, triggered by technology, economy and the society as such. It is not bad, its a transition, although its fun to live in nostalgia, these are changes which will shape the future. It is useless to trigger the age old debate of tradition vs. modernity, and it would be ruthless to declare a winner.

    In my world, Coffee exists with Chai, with Parle-G in one pocket, and a Cookie in another.

  • काश ये दिल होता Tupperware का

    हम प्यार करते थे उनसे बेशुमार,
    उनके इश्क मैं हुए थे बीमार
    हमे लगा वो भी है उतनी ही बेक़रार,
    कर बैठे प्यार का इज़हार.

    फिर क्या कहे क्या हुआ
    अच्छे खासे दिल का मालपुआ हुआ,
    दिल तो हमारा था कोमल और नाज़ुक
    पर जब टूटा तो आवाज़ आई जैसे चले कोई चाबुक,
    कांच की तरह टुकड़े हुए उसके हज़ार,
    सारे अरमानो का हुआ मच्छी बाज़ार.

    काश ये दिल न होता कांच जैसा brittle
    और हर बार ना होते इसके टुकड़े little little,
    अगर ये होता Tupperware जैसा मज़बूत
    गिर पड़ संभल कर भी रहता साबुत,
    प्यार की गर्मी और चाहत की सर्दी झेलता
    हर मौसम येह ख़ुशी ख़ुशी खेलता,
    हर सप्ताह नयी नयी गृहणियो के संग पार्टी मनाता
    कुंवारी ना सही, शादीशुदा का ही संग पाता.

    पर क्या करे यही है कुदरत का न्याय,
    Tupperware के दिल का कभी ना खुल सकेगा अध्याय… कभी ना खुल सकेगा अध्याय.

    Dedicated to all the losers in the world :)…

  • हैदराबादी प्रेम कहानी… जो हो ना सकी

    महिना था फरवरी का,
    समय था वोह अफरा तफरी का
    Placement का चल रहा था त्यौहार,
    क्योकि आजकल वही तो रह गया है प्रबंधन शिक्षा का सार.

    मैं बैठा था interview कक्ष मैं, सवालों से जूझता
    कभी हँसता, कभी लडखडाता
    अचानक मुझसे पुछा गया,
    आप लगते है कहानीकार
    हम देखना चाहते है आपके विचार.

    मैंने उठायी कागज़ कलम,
    सोचा प्रस्तुत करू हास्य रस, या फिर थोडा गम
    विचारों की धारा बहने लगी
    मेरी इस नौकरी को प्राप्त करने और हैदराबाद जाने की इच्छा बढ़ी.

    बिरयानी की आई महक,
    मन न जाने क्यों मेरा गया चहक
    चिरंजीवी का आया विचार,
    तेलुगु सिनेमा की जय जयकार
    वोह चावल का ढेर, पप्पू के संग,
    गोंगुरा का अचार जमाएगा रंग*
    चार मीनार की वोह गलिया,
    जहा पकेगा इश्क का दलिया
    पर इश्क के लिए तो चाहिए लड़की,
    तेलुगु सीखे बिना छाएगी कडकी
    सोचा मैंने यह सब करूँगा,
    तेलुगु सीख, लड़की पटा कर, शादी करूँगा.

    कुछ वक्त पश्चात आई यह खबर,
    मिली नौकरी छायी ख़ुशी इस कदर
    पर फिर मैं रहा गया मुंबई नगरी,
    न गया हैदराबाद न छायी प्यार की बदरी.

    आज विचार आया की काश कुछ ऐसा होता,
    मुह मैं डबल का मीठा और संग साथी अनूठा होता
    मुंबई की गलिया नाप नाप कर मैं हु थका
    यह था मेरा अनोका रिश्ता, जो हो न सका… हो न सका.

    * Pappu is thickish daal served usually in Andhra meals. Gongura is a super tasty pickle served along with rice and pappu and sambhar and the crispy veggies in an awesome andhra meal.

    This poem is dedicated to the wonderful lady who made me write this story in interview and all the awesome Hyderabadi/Andhra people.

  • टमाटर की व्यथा: Ketchup बनू या कटरीना का Body Wash

    गुमसुम गुमसुम…
    लाल लाल, नरम नरम,
    इस टमाटर मैं है बड़ा दम.

    जब टमाटर ketchup बन जाता,
    हर टेबल की यह शोभा बढाता.

    पकोड़े हो या पिज़्ज़ा, समोसा हो या आमलेट,
    टमाटर है कुदरत की एक भेंट.

    पर जब इंसान को हक है अपना जीवन जीने का,
    तो क्या टमाटर को हक नहीं अपनी राह चुनने का?

    किस्मत मैं था उसके की ketchup बन जाऊ,
    बच्चो बड़ो सबके दिल मैं समाऊ.

    पर उसे क्या पता था की वोह बन सकता है body wash कटरीना का,
    उस कोमल बदन पर छीटा गुलाब का.

    शीला की जवानी, टमाटर की रवानी,
    टमाटर लिखे प्यार की एक नयी कहानी.

    सलमान, रणबीर है किस खेत की मूली,
    जब खुद टमाटर खेले लाल रंग की होली.

    कटरीना भी हुई दीवानी,
    टमाटर की थी यही अनोखी कहानी.

    – अभिषेक देशपांडे ‘देसी’

    Refer:

    Ek Junoon- http://www.youtube.com/watch?v=KSsSM2IR2LY

    Inspirations: Rosesh Sarabhai

  • Rattu ka Dabba

    He could feel a few giggles right behind his back, he knew it was gone. Again!

    As Rattu turned back and put his hand into his bag’s tiffin box pocket, he felt plastic and not the usual steel, infact before the lunch break this is all Rattu did with his tiffin, as he always scared to eat it before lunch. He kept feeling his steel lunch box between the classes, and almost every day, he would find someone else’s tiffin box in his bag. A yellow colored plastic one, from the one for him (as declared by all his friends). His dabba was always swapped with his supposedly the one’s dabba which usually resulted in uncountable hours of leg pulling (aahhh…who would touch those beastly legs, like Wodehouse said long time ago) and Rattu going mad throwing his Milton water bottle all over his friends.

    But Rattu really liked what Vaifav Ghar usually did with his tiffin, mostly an omlette sandwich, it was always munched during the history period. Ghar used to stand as our history teacher looked somewhere else, showed the omlette bread to everyone, used to take a bow towards our history teacher and start hogging. Everyone giggled as the teacher talked about 3 points for 3 marks, 6 points for 6 marks and so on.

    Lunch break was always a nice time, there were different kinds of people, firstly the looteras. Loot lo iska dabba they said, and started running behind the ones with their dabbas intact. There was always a gang for whom lunch breaks meant playing leg cricket, it had been going on from very junior sections till almost Class 12th.

    As everyone did this Rattu with his group of friends usually used to enjoy our dabbas, saving them from the looteras on the open terrace. The paratha subjis, maggis, sandwiches, idlis, all of them being shared over general chit chat of cricket, entrances, studies, girls, new possible couples, boring classes, good classes, the smell from chemistry lab etc etc.

    Although there was always one weird thing about the lunch break, the girls were always quite. They used to finish off their dabbas, quietly, nicely sharing the stuff among themselves and then go back to the class mostly. Very peaceful. And unlike the boys they never had yellow oil stains on their uniforms.

    Talking of stains almost every bag had a very oily patch in the area where lunch box was kept. Speaks volumes about our Parathas, Subjis and Achaars.

    And then there was the case of Dabba not brought, which was then given to Dutta Bhaiya on the school gate later by the parents, and delivered in between a classroom by Dashrath Bhaiya.

    Rattu’s school never had a canteen once which was closed after cockroaches were found instead of aloo inside samosa.

    Post lunch break was the time for a nap, a slight nap. It was a deadly period to take for a teacher I assume. Much more challenging than anything to keep students awake at that time. Somehow Rattu never fell asleep in school, never ever, even after a nice lunch break. School was always so much fun.

    And so were the Dabbas.

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    Do you have any memories associated with school lunch box?

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